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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Marianne Egan and her children Gertrude Evans Cahuac and Henry William Cahuac

Maritime disaster leaves poignant picture

Absence rends the heart asunder

Patrick White and Manoly Lascaris

A life shared

Wartime romance

The uncertain recovery, 2012 by Arianne McNaught

Arianne McNaught

Finalist interviews

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

Les Darcy

American dream leads to tragic end

Young love lost, treasured

Lan Wang

Artist lovers re-united across the seas

Exile burnishes love’s bond

Charles (still from video) by Amiel Courtin-Wilson

The Winner of the Digital Portraiture Award 2016 is...

2 December 2016

Archived media releases 2016

The winner of the Digital Portraiture Award 2016 has been announced. Congratulations to Amiel Courtin-Wilson for his submission titled Charles.

Drought story, 2020 Joel B. Pratley

Living Memory – National Photographic Portrait Prize extended to January 2022

6 September 2021

Archived media releases 2021

In light of recent and ongoing gallery closures brought on by the COVID pandemic, the NPG’s 2021 National Photographic Portrait Prize exhibition season will be extended until 16 January next year.

Michelle Simmons

Three ways to look at a photograph

NPPP 2019 exhibition essay

General content

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2019 Prize.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

Archived media releases 2018

The National Portrait Gallery is pleased to announce its winter exhibition is So Fine: Contemporary women artists make Australian history. It will open to the public from 29 June 2018.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

Archived media releases 2018

Ten women artists explore the possibilities of portraiture as a contemporary art form; and reinterpret and reimagine Australian history in the Portrait Gallery’s new exhibition So Fine: Contemporary women artists make Australian history.

Open your mouth, 2002 by FX Harsono

FX Harsono

by Christine Clark

FX Harsono was born in 1949, just as the independence of the Indonesian nation was being established.

Darren McDonald, 2016 by Mark Mohell

Darren McDonald

Explore The Popular Pet Show

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Robyn Sweaney, 2016 by Mark Mohell

Robyn Sweaney

Explore The Popular Pet Show

Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

General content

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Noel McKenna, 2016 by Mark Mohell

Noel McKenna

Explore The Popular Pet Show

It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency